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As Pyron puts it, rather succinctly, she dreamed of satyrs. The point of Pyrons discussion is not to soil Mitchells reputation but, on the contrary, to add dimension to itto reveal her as a complex twentieth-century figure
In that 1920s scene, the skirts are pleated, because of the necessity of movement and because its nice to see that fabric move
The photography is deliberately challenging: awkward poses, unusual compositions, locations that are more art-world than fashion-world
Also, flowers and trees and some weeds here and there also help
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