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Ties should have a conservative pattern

Art historian Richard Powell describes Girl in a Red Dress as an exemplary portrayal of the "New Negro" woman who is "defiantly black, beautiful, and feminine, yet also unsettled, mysterious, and utterly modern." Alston, a foundational figure of the Harlem Renaissance, depicts the young woman in a way that embodies the artists synthesis of African aesthetics (in this case resonant with Fang reliquary busts) and modernist pictorial flatness in portrayals of African American subjects

"I bet night owls are more likely to see it as blue-black," Conway says